The book consists of seven essays exploring the relationship between Pound and Browning, Yeats, Ford, Lewis, Joyce, Eliot and American epic tradition. Each essay reconsiders and reassesses one aspect of the poet, his work and his literary connections in the light of fresh insight and new research.
The book consists of seven essays exploring the relationship between Pound and Browning, Yeats, Ford, Lewis, Joyce, Eliot and American epic tradition. Each essay reconsiders and reassesses one aspect of the poet, his work and his literary connections in the light of fresh insight and new research.
"What's left for me to do?" - Pound, Browning and the problem of poetic influence, John Woolford; the unknown masterpiece - Yeats and the design of the "Cantos", Warwick Gould; "Experiments in modernity" - Ford and Pound, R.G. Hampson; "Like a Mexith's renowned statue bristling with emblems" - masquerade, anthropology, Yeats and Pound among Wyndham Lewis' "Apes of God", Peter L. Caracciolo; Pound and Joyce - "Ulysses", "The Cantos" and the shapes of cultures, Andrew Gibson; "these fragments you have shelved (shored)" - Pound, Eliot and "The Waste Land", John Harwood; Pound, Whitman and the American epic transmission, Eric Mottram.
"What's left for me to do?" - Pound, Browning and the problem of poetic influence, John Woolford; the unknown masterpiece - Yeats and the design of the "Cantos", Warwick Gould; "Experiments in modernity" - Ford and Pound, R.G. Hampson; "Like a Mexith's renowned statue bristling with emblems" - masquerade, anthropology, Yeats and Pound among Wyndham Lewis' "Apes of God", Peter L. Caracciolo; Pound and Joyce - "Ulysses", "The Cantos" and the shapes of cultures, Andrew Gibson; "these fragments you have shelved (shored)" - Pound, Eliot and "The Waste Land", John Harwood; Pound, Whitman and the American epic transmission, Eric Mottram.
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