Refractions of Bob Dylan
Cultural appropriations of an American icon
Herausgeber: Banauch, Eugen
Refractions of Bob Dylan
Cultural appropriations of an American icon
Herausgeber: Banauch, Eugen
- Gebundenes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
A multi-disciplinary set of essays revolving around the routes of Bob Dylan's cultural appropriations.
Andere Kunden interessierten sich auch für
- Seth RogovoyBob Dylan21,99 €
- Jim BevigliaCounting Down Bob Dylan70,99 €
- Jim BevigliaCounting Down Bob Dylan19,99 €
- Tudor JonesBob Dylan and the British Sixties163,99 €
- David LangBob Dylan als Symbolfigur in den sechziger Jahren18,95 €
- Daniel BotkinRiddles for Fans of Bob Dylan11,99 €
- Dominik SaxWahrnehmung politischer Ereignisse in Songtexten von Bob Dylan13,99 €
-
-
-
A multi-disciplinary set of essays revolving around the routes of Bob Dylan's cultural appropriations.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Manchester University Press
- Seitenzahl: 242
- Erscheinungstermin: 1. Juli 2015
- Englisch
- Abmessung: 240mm x 161mm x 18mm
- Gewicht: 531g
- ISBN-13: 9780719091742
- ISBN-10: 0719091748
- Artikelnr.: 42374501
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Manchester University Press
- Seitenzahl: 242
- Erscheinungstermin: 1. Juli 2015
- Englisch
- Abmessung: 240mm x 161mm x 18mm
- Gewicht: 531g
- ISBN-13: 9780719091742
- ISBN-10: 0719091748
- Artikelnr.: 42374501
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Eugen Banauch is a literary and cultural studies scholar currently living and working in Vienna, Austria
Part I: Intro 1. Refractions of Bob Dylan: an introduction
Eugen Banauch 2. Dylan's Americanness in 1960s Britain
Michael Gray Part II: Dylan abroad 3. Bob Dylan in Switzerland: a classic case of 'love and theft'
Martin Schäfer 4. Localising Dylan: political and musical narratives in Italy
Andrea Cossu 5. Not there: the poetics of absence in portrayals of Bob Dylan by Wolf Biermann and Ilse Aichinger
John Heath Part III: Who is not there 6. Bob Dylan's protean style
Ben Giamo 7. 'I don't believe you ... you're a liar': the fabulatory function of Bob Dylan
Rob Coley 8. The ghost of Bob Dylan: spectrality and performance in I'm Not There
Susanne Hamscha 9. Mr Pound, Mr Eliot, and Mr Dylan: USA and Europe, modernity and modernism
Leighton Grist Part IV: Dylan critics 10. Time out of mind: Bob Dylan and Paul Nelson transformed
John Frederick Bell 11. Greil Marcus and Bob Dylan: the writer and his singer
Jean
Martin Büttner Part V: Dylan appropriated 12. Tell
tale signs: self
deception in Dylan
Paul Fagan and Mark Shanahan 13. 'Yes, it's a very funny song.': spoken intros and the seriousness of Bob Dylan's Halloween show
Paul Keckeis 14. Surplus and demand or too much to ask: (in)appropriating Dylan
Robert McColl 15. Plagiarism, Bob, Jean
Luc, and me
Stephen Scobie Part VI: Outro 16. The evolution of fan culture and the impact of technology on the Never Ending Tour
Clinton Heylin and Michelle Engert Index
Eugen Banauch 2. Dylan's Americanness in 1960s Britain
Michael Gray Part II: Dylan abroad 3. Bob Dylan in Switzerland: a classic case of 'love and theft'
Martin Schäfer 4. Localising Dylan: political and musical narratives in Italy
Andrea Cossu 5. Not there: the poetics of absence in portrayals of Bob Dylan by Wolf Biermann and Ilse Aichinger
John Heath Part III: Who is not there 6. Bob Dylan's protean style
Ben Giamo 7. 'I don't believe you ... you're a liar': the fabulatory function of Bob Dylan
Rob Coley 8. The ghost of Bob Dylan: spectrality and performance in I'm Not There
Susanne Hamscha 9. Mr Pound, Mr Eliot, and Mr Dylan: USA and Europe, modernity and modernism
Leighton Grist Part IV: Dylan critics 10. Time out of mind: Bob Dylan and Paul Nelson transformed
John Frederick Bell 11. Greil Marcus and Bob Dylan: the writer and his singer
Jean
Martin Büttner Part V: Dylan appropriated 12. Tell
tale signs: self
deception in Dylan
Paul Fagan and Mark Shanahan 13. 'Yes, it's a very funny song.': spoken intros and the seriousness of Bob Dylan's Halloween show
Paul Keckeis 14. Surplus and demand or too much to ask: (in)appropriating Dylan
Robert McColl 15. Plagiarism, Bob, Jean
Luc, and me
Stephen Scobie Part VI: Outro 16. The evolution of fan culture and the impact of technology on the Never Ending Tour
Clinton Heylin and Michelle Engert Index
Part I: Intro 1. Refractions of Bob Dylan: an introduction
Eugen Banauch 2. Dylan's Americanness in 1960s Britain
Michael Gray Part II: Dylan abroad 3. Bob Dylan in Switzerland: a classic case of 'love and theft'
Martin Schäfer 4. Localising Dylan: political and musical narratives in Italy
Andrea Cossu 5. Not there: the poetics of absence in portrayals of Bob Dylan by Wolf Biermann and Ilse Aichinger
John Heath Part III: Who is not there 6. Bob Dylan's protean style
Ben Giamo 7. 'I don't believe you ... you're a liar': the fabulatory function of Bob Dylan
Rob Coley 8. The ghost of Bob Dylan: spectrality and performance in I'm Not There
Susanne Hamscha 9. Mr Pound, Mr Eliot, and Mr Dylan: USA and Europe, modernity and modernism
Leighton Grist Part IV: Dylan critics 10. Time out of mind: Bob Dylan and Paul Nelson transformed
John Frederick Bell 11. Greil Marcus and Bob Dylan: the writer and his singer
Jean
Martin Büttner Part V: Dylan appropriated 12. Tell
tale signs: self
deception in Dylan
Paul Fagan and Mark Shanahan 13. 'Yes, it's a very funny song.': spoken intros and the seriousness of Bob Dylan's Halloween show
Paul Keckeis 14. Surplus and demand or too much to ask: (in)appropriating Dylan
Robert McColl 15. Plagiarism, Bob, Jean
Luc, and me
Stephen Scobie Part VI: Outro 16. The evolution of fan culture and the impact of technology on the Never Ending Tour
Clinton Heylin and Michelle Engert Index
Eugen Banauch 2. Dylan's Americanness in 1960s Britain
Michael Gray Part II: Dylan abroad 3. Bob Dylan in Switzerland: a classic case of 'love and theft'
Martin Schäfer 4. Localising Dylan: political and musical narratives in Italy
Andrea Cossu 5. Not there: the poetics of absence in portrayals of Bob Dylan by Wolf Biermann and Ilse Aichinger
John Heath Part III: Who is not there 6. Bob Dylan's protean style
Ben Giamo 7. 'I don't believe you ... you're a liar': the fabulatory function of Bob Dylan
Rob Coley 8. The ghost of Bob Dylan: spectrality and performance in I'm Not There
Susanne Hamscha 9. Mr Pound, Mr Eliot, and Mr Dylan: USA and Europe, modernity and modernism
Leighton Grist Part IV: Dylan critics 10. Time out of mind: Bob Dylan and Paul Nelson transformed
John Frederick Bell 11. Greil Marcus and Bob Dylan: the writer and his singer
Jean
Martin Büttner Part V: Dylan appropriated 12. Tell
tale signs: self
deception in Dylan
Paul Fagan and Mark Shanahan 13. 'Yes, it's a very funny song.': spoken intros and the seriousness of Bob Dylan's Halloween show
Paul Keckeis 14. Surplus and demand or too much to ask: (in)appropriating Dylan
Robert McColl 15. Plagiarism, Bob, Jean
Luc, and me
Stephen Scobie Part VI: Outro 16. The evolution of fan culture and the impact of technology on the Never Ending Tour
Clinton Heylin and Michelle Engert Index