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The role of space and place in the creation of visual narratives constitutes one of the most dynamic and exciting debates in contemporary film studies. How does film construct space? What are the spatial codes and strategies that it uses? What is the relationship between space and time in film? How do spatial constructs enable us to understand new concepts of identity and the politics and geographies of exile and displacement? Such questions, whose importance to contemporary film and culture is fundamental, are explored in wide-ranging, challenging essays that re-evaluate and extend recent theoretical debate in relation to the regional and national cinemas of Europe.
Alongside critical essays by scholars of international repute the book contains original contributions by practising film directors. Characterised by its interdisciplinary, cross-national focus, it is thematically structured to provide an insight into smaller and less well-explored cinemas as well as those of Britain, France, Germany, Italy, Russia and Spain. Authoritative, lively, and jargon-free, these essays provide the reader with a clear understanding of the significance of space and place, and a fresh perspective on the fascinating diversity of European cinema.
Alongside critical essays by scholars of international repute the book contains original contributions by practising film directors. Characterised by its interdisciplinary, cross-national focus, it is thematically structured to provide an insight into smaller and less well-explored cinemas as well as those of Britain, France, Germany, Italy, Russia and Spain. Authoritative, lively, and jargon-free, these essays provide the reader with a clear understanding of the significance of space and place, and a fresh perspective on the fascinating diversity of European cinema.
«Der Sammelband, mit der Filmografie der behandelten Titel, bio-bibliografischen Angaben zu den Autoren und einem Index ausgestattet, vermittelt auf der Grundlage neuester filmtheoretischer Ansätze nicht nur die funktionalen Zusammenhänge von Raum und Zeit. Er führt den Fachleser auch in die komplexe Thematik von Raum-Konstruktionen ein, die im europäischen Film insofern eine immer wichtigere, erkenntnisfördernde Rolle spielen werden, als sie dem in einer entfremdeten Welt existierenden Individuum zumindest Spuren einer Identität aufzeigen können.» (Wolfgang Schlott, Medienwissenschaft)