Richard Badenhausen examines the crucial role collaboration with other writers played in the development of T. S. Eliot's works.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: reaching the stillness of music 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama 4. A dramatist and his midwives: Eliot's collaborations in the theater 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward Conclusion: placing collaboration in perspective: voice and influence in the late essays Notes Index.
Introduction: reaching the stillness of music; 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays; 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land; 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama; 4. A dramatist and his midwives: Eliot's collaborations in the theater; 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward; Conclusion: placing collaboration in perspective: voice and influence in the late essays; Notes; Index.
Introduction: reaching the stillness of music 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama 4. A dramatist and his midwives: Eliot's collaborations in the theater 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward Conclusion: placing collaboration in perspective: voice and influence in the late essays Notes Index.
Introduction: reaching the stillness of music; 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays; 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land; 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama; 4. A dramatist and his midwives: Eliot's collaborations in the theater; 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward; Conclusion: placing collaboration in perspective: voice and influence in the late essays; Notes; Index.
Rezensionen
Review of the hardback: 'T. S. Eliot and the Art of Collaboration represents a lively and imortant contribution to modernist studies.' The Review of English Studies
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826
