Richard Badenhausen examines the crucial role collaboration with other writers played in the development of T. S. Eliot's works.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Richard Badenhausen is Professor and Kim T. Adamson Chair at Westminster College in Utah and directs the Honors Program there.
Inhaltsangabe
Introduction: reaching the stillness of music 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama 4. A dramatist and his midwives: Eliot's collaborations in the theater 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward Conclusion: placing collaboration in perspective: voice and influence in the late essays Notes Index.
Introduction: reaching the stillness of music; 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays; 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land; 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama; 4. A dramatist and his midwives: Eliot's collaborations in the theater; 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward; Conclusion: placing collaboration in perspective: voice and influence in the late essays; Notes; Index.
Introduction: reaching the stillness of music 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama 4. A dramatist and his midwives: Eliot's collaborations in the theater 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward Conclusion: placing collaboration in perspective: voice and influence in the late essays Notes Index.
Introduction: reaching the stillness of music; 1. 'Speaking as ourselves': authorship, impersonality, and the creative process in the early essays; 2. A conversation about 'the longest poem in the English langwidge': Pound, Eliot, and The Waste Land; 3. 'Helping the poets write for the theatre': the transitional essays on collaboration, community, and drama; 4. A dramatist and his midwives: Eliot's collaborations in the theater; 5. The possum and the 'creating critick': Eliot's collaboration with John Hayward; Conclusion: placing collaboration in perspective: voice and influence in the late essays; Notes; Index.
Rezensionen
Review of the hardback: 'T. S. Eliot and the Art of Collaboration represents a lively and imortant contribution to modernist studies.' The Review of English Studies
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