The Musical Discourse of Servitude presents a new theory of how the late baroque musical imagination developed by comparing the compositions of Johann Joseph Fux, J. S. Bach, and G. F. Handel.
The Musical Discourse of Servitude presents a new theory of how the late baroque musical imagination developed by comparing the compositions of Johann Joseph Fux, J. S. Bach, and G. F. Handel.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Harry White is Professor of Music at University College Dublin and a Fellow of the Royal Irish Academy of Music. He is widely acclaimed as the foremost cultural historian of music in Ireland.
Inhaltsangabe
* Preface and Acknowledgements * Introduction: Servitude, Autonomy and the European Musical Imagination * Chapter 1: The Minstrelsy of Heaven: Servility, Freedom and the Dynastic Style * Chapter 2: The Virtuoso of Submissiveness: Fux and the Concept of Authority * Chapter 3: The Steward of Unmeaning Art: Bach and the Musical Subject * Chapter 4: 'A Darkness Which Might be Felt': Handel, Fux and the Oratorio * Chapter 5: Steps to Parnassus: Fux, Caldara and Bach * Conclusion: Well, well, well: Fux, Bach and Handel * Select Bibliography * Select Index
* Preface and Acknowledgements * Introduction: Servitude, Autonomy and the European Musical Imagination * Chapter 1: The Minstrelsy of Heaven: Servility, Freedom and the Dynastic Style * Chapter 2: The Virtuoso of Submissiveness: Fux and the Concept of Authority * Chapter 3: The Steward of Unmeaning Art: Bach and the Musical Subject * Chapter 4: 'A Darkness Which Might be Felt': Handel, Fux and the Oratorio * Chapter 5: Steps to Parnassus: Fux, Caldara and Bach * Conclusion: Well, well, well: Fux, Bach and Handel * Select Bibliography * Select Index
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