New and previously published writings engage questions that are central to the development of literature, music, and the arts from late 18th century Romanticism to the avant-garde movements of the early 20th century. Marshall Brown is professor of comparative literature at the University of Washington and editor of Modern Language Quarterly.--"Marshall Brown is simply one of the finest literary critics we have and one of the very few who are equally at home with literature and music."--Lawrence Kramer, author of Why Claissical Music Still Matters
New and previously published writings engage questions that are central to the development of literature, music, and the arts from late 18th century Romanticism to the avant-garde movements of the early 20th century. Marshall Brown is professor of comparative literature at the University of Washington and editor of Modern Language Quarterly.--"Marshall Brown is simply one of the finest literary critics we have and one of the very few who are equally at home with literature and music."--Lawrence Kramer, author of Why Claissical Music Still Matters
Preface 1. Introduction: Music and Abstraction 2. Music and Fantasy 3. German Romanticism and Music 4. Negative Poetics: On Skepticism and the Lyric Voice 5. Rethinking the Scale of Literary History 6. Mozart, Bach, and Musical Abjection 7. Moods at Mid-Century: Handel and English Literature, 1740-1760 8. Passion and Love: Anacreontic Song and the Roots of Romantic Lyric 9. Haydn's Whimsy: Poetry, Sexuality, Repetition 10. Non Giovanni: Mozart with Hegel Notes Index
Preface 1. Introduction: Music and Abstraction 2. Music and Fantasy 3. German Romanticism and Music 4. Negative Poetics: On Skepticism and the Lyric Voice 5. Rethinking the Scale of Literary History 6. Mozart, Bach, and Musical Abjection 7. Moods at Mid-Century: Handel and English Literature, 1740-1760 8. Passion and Love: Anacreontic Song and the Roots of Romantic Lyric 9. Haydn's Whimsy: Poetry, Sexuality, Repetition 10. Non Giovanni: Mozart with Hegel Notes Index
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