On the basis of a body of reggae songs from the 1970s and late 1990s, the author offers a sociological analysis of memory, hope and redemption in reggae music. -- .
On the basis of a body of reggae songs from the 1970s and late 1990s, the author offers a sociological analysis of memory, hope and redemption in reggae music. -- .Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sarah Daynes is Associate Professor of Sociology at the University of North Carolina, Greensboro
Inhaltsangabe
Introduction Part I: A study in elective affinity: music, religion and memory 1. Reggae and Rastafari: a history 2. Interpreting songs: notes on methodology 3. Analysis of reggae charts, 1968-2000 4. The construction of a musical memory in reggae music Part II: Remembering the past 5. Slavery and the diaspora: temporal and spatial articulations 6. The construction of a religious chain of memory Part III: Revealing the future 7. Messianism, between past and future 8. Hope and redemption 9. The end of the world as future-present Part IV: From revelation to revolution 10. The construction of a sociopolitical memory of liberation 11. Rhetoric of oppression and social critique 12. Resistance and revolution Part V: Conclusion 13. Time and memory Index
Introduction Part I: A study in elective affinity: music, religion and memory 1. Reggae and Rastafari: a history 2. Interpreting songs: notes on methodology 3. Analysis of reggae charts, 1968-2000 4. The construction of a musical memory in reggae music Part II: Remembering the past 5. Slavery and the diaspora: temporal and spatial articulations 6. The construction of a religious chain of memory Part III: Revealing the future 7. Messianism, between past and future 8. Hope and redemption 9. The end of the world as future-present Part IV: From revelation to revolution 10. The construction of a sociopolitical memory of liberation 11. Rhetoric of oppression and social critique 12. Resistance and revolution Part V: Conclusion 13. Time and memory Index
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