Weakness and Mental Fragility in the Feminine Novel
Emily Bronte¿s Wuthering Heights (1847) and Virginia Woolf¿s To the Lighthouse (1927)
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This interdisciplinary research deals with the discontinuation between mental fragility and the position in society within the feminine novel. Considering the mounting levels of appreciation that the feminine novel is receiving as a revolutionary facet that expresses life through distinct lances, it often remains riddled with assumptions that aerate into conducted on such works. Thereof, it is only appropriate to dislocate the ingénue or the witch from these assumptions and rather study the character and their development as novelistic being without no gender biases in order to grasp the comp...
This interdisciplinary research deals with the discontinuation between mental fragility and the position in society within the feminine novel. Considering the mounting levels of appreciation that the feminine novel is receiving as a revolutionary facet that expresses life through distinct lances, it often remains riddled with assumptions that aerate into conducted on such works. Thereof, it is only appropriate to dislocate the ingénue or the witch from these assumptions and rather study the character and their development as novelistic being without no gender biases in order to grasp the complications provided by female novelists in their works. This work is set forth on two chapters, the first of which covers all the indispensable dimensional spheres and the theories accorded with them whilst the second probes into the practical matters, using those theories, explicitly Wuthering Heights of Emily Bronte and To the Lighthouse of Virginia Woolf. By the end, this work would have established mental fragility as biased downfall via the feminine novel.
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