An exploration of the relationship between poetry, song, and authority in Augustan Rome. Michele Lowrie argues that the medium of writing, as opposed to song, could offer an escape from current social and political demands by shifting the focus toward the readership of posterity.
An exploration of the relationship between poetry, song, and authority in Augustan Rome. Michele Lowrie argues that the medium of writing, as opposed to song, could offer an escape from current social and political demands by shifting the focus toward the readership of posterity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michele Lowrie is Professor of Classics at the University of Chicago.
Inhaltsangabe
1: Arma uirumque cano 2: Some Background I. Writing, Performance, and Performativity 3: The Performance of Horatian Lyric: The Limits of Reference 4: Horatian Lyric and Metaphorical Truths 5: At the Limits of Performativity: The Carmen Saeculare 6: Monument and Festival in Vergil 7: Elegy: Overcoming Inability II. Performance and the Augustan Literary Epistle 8: Love and Semiotics 9: Beyond Performance Envy: Horace, Epistles 2.1 10: De- and Re-Contextualization 11: Ovid's Triumphs in Exile: Representation and Power III. Writing, Performance, and Politics 12: Auctoritas and Representation: Augustus' Res gestae 13: Occasion and Monument: The Ara Pacis IV. Reading and the Law 14: Literature and the Law 15: Inscription and Testimony: Propertius 4.11 16: The Pragmatics of Literature: Ovid
1: Arma uirumque cano 2: Some Background I. Writing, Performance, and Performativity 3: The Performance of Horatian Lyric: The Limits of Reference 4: Horatian Lyric and Metaphorical Truths 5: At the Limits of Performativity: The Carmen Saeculare 6: Monument and Festival in Vergil 7: Elegy: Overcoming Inability II. Performance and the Augustan Literary Epistle 8: Love and Semiotics 9: Beyond Performance Envy: Horace, Epistles 2.1 10: De- and Re-Contextualization 11: Ovid's Triumphs in Exile: Representation and Power III. Writing, Performance, and Politics 12: Auctoritas and Representation: Augustus' Res gestae 13: Occasion and Monument: The Ara Pacis IV. Reading and the Law 14: Literature and the Law 15: Inscription and Testimony: Propertius 4.11 16: The Pragmatics of Literature: Ovid
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