A fascinating and accessible look at modern American prisons and museums
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Autorenporträt
Joe Day is the design principal of Deegan-Day Design and is a visiting faculty member for architectural design, history, and theory at the Southern California Institute of Architecture (SCI-Arc) in Los Angeles, USA.
Inhaltsangabe
Foreword Introduction: To Seduce or Subdue? Minimal 1. Reduce: Exhibiting Discipline: The Aesthetics of Deprivation and Duration 2. Repeat: Compounded Interest? Serial, Multiple, and Redundant Institutions Post Minimal 3. Rotate: The Panopticon and Guggenheim: Axioms of Visual Regimentation 4. Proliferate: Avatars of a Polarized Future: Thomas Krens and Don Novey Millennial 5. Neutralize: METs, MoMAs, and MCCs: The New Metropolitan Peacemakers 6. Privatize: Pay to Play: Personal Museums and For Profit Prisons Post Millennial 7. Collide: PRI/MUS: Prisons turned Museums and the Museum as Crime Scene 8. Disperse: Holding Patterns: Transnational Art and Extra territorial Detention 9. Conclusion: Afterlives
Foreword Introduction: To Seduce or Subdue? Minimal 1. Reduce: Exhibiting Discipline: The Aesthetics of Deprivation and Duration 2. Repeat: Compounded Interest? Serial, Multiple, and Redundant Institutions Post Minimal 3. Rotate: The Panopticon and Guggenheim: Axioms of Visual Regimentation 4. Proliferate: Avatars of a Polarized Future: Thomas Krens and Don Novey Millennial 5. Neutralize: METs, MoMAs, and MCCs: The New Metropolitan Peacemakers 6. Privatize: Pay to Play: Personal Museums and For Profit Prisons Post Millennial 7. Collide: PRI/MUS: Prisons turned Museums and the Museum as Crime Scene 8. Disperse: Holding Patterns: Transnational Art and Extra territorial Detention 9. Conclusion: Afterlives
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