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Antigone makes everything OK. Gives me hope. I'm utterly devoted to her. I couldn't imagine what would happen if she weren't here. What could a play written 2,500 years ago possibly mean today? Ryan Craig's new adaptation of Sophocles' famous tragedy captures the passion, danger and moral deadlock of the story of Greece's most famous teenager. Set in the aftermath of a bloody civil war, Antigone fights for what she believes is right. What would you do?
Antigone makes everything OK. Gives me hope. I'm utterly devoted to her. I couldn't imagine what would happen if she weren't here.
What could a play written 2,500 years ago possibly mean today? Ryan Craig's new adaptation of Sophocles' famous tragedy captures the passion, danger and moral deadlock of the story of Greece's most famous teenager. Set in the aftermath of a bloody civil war, Antigone fights for what she believes is right.
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Autorenporträt
Ryan Craig is a British playwright, screen, television and radio writer whose plays usually involve both ethical and social matters. He is best known for his plays What We Did To Weinstein (Menier Chocolate Factory, London, 2005) which earned him a Most Promising Playwright Nomination at the Evening Standard Awards; The Glass Room (Hampstead Theatre, 2006), which deals with Holocaust denial; the English version of Tadeusz Slobodzianek's Our Class (2009), The Holy Rosenbergs (2011), both at the National Theatre and the semi-autobiographical Filthy Business (2017, Hampstead Theatre, London).
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