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Offering a kaleidoscopic journey into the experiences of modernization, the dizzying social changes that swept millions of people into the capitalist world, this title dexterously interweaves an exploration of modernism in art, literature, and architecture.
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Offering a kaleidoscopic journey into the experiences of modernization, the dizzying social changes that swept millions of people into the capitalist world, this title dexterously interweaves an exploration of modernism in art, literature, and architecture.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Verso Books
- Seitenzahl: 392
- Erscheinungstermin: 21. Juni 2010
- Englisch
- Abmessung: 209mm x 138mm x 33mm
- Gewicht: 354g
- ISBN-13: 9781844676446
- ISBN-10: 1844676447
- Artikelnr.: 29012502
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Verso Books
- Seitenzahl: 392
- Erscheinungstermin: 21. Juni 2010
- Englisch
- Abmessung: 209mm x 138mm x 33mm
- Gewicht: 354g
- ISBN-13: 9781844676446
- ISBN-10: 1844676447
- Artikelnr.: 29012502
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Marshall Berman was Distinguished Professor of Political Science at City College of New York and CCNY Graduate Center, where he taught Political Theory and Urban Studies and is the author of The Politics of Authenticity, All That Is Solid Melts into Air, and On the Town.
All That Is Solid Melts into AirPreface to the Penguin Edition: The Broad
and Open Way
Preface
Introduction: Modernity - Yesterday, Today and TomorrowI. Goethe's Faust:
The Tragedy of Development
First Metamorphosis: The Dreamer
Second Metamorphosis: The Lover
Third Metamorphosis: The Developer
Epilogue: The Faustian and Pseudo-Faustian Age
II. All That Is Solid Melts Into Air: Marx, Modernism and Modernization
1. The Melting Vision and Its Dialectic
2. Innovative Self-Destruction
3. Nakedness: The Unaccommodated Man
4. The Metamorphosis of Values
5. The Loss of a Halo
Conclusion: Culture and the Contradictions of Capitalism
III. Baudelaire: Modernism in the Streets
1. Pastoral and Counter-Pastoral Modernism
2. The Heroism of Modern Life
3. The Family of Eyes
4. The Mire of the Macadam
5. The Twentieth Century: The Halo and the Highway
IV. Petersbur: The Modernism of Underdevelopment
1. The Real and Unreal City
"Geometry Has Appeared": The City in the Swamps
Pushkin's "Bronze Horseman": The Clerk and the Tsar
Petersburg Under Nicholas I: Palace vs. Prospect
Gogol: The Real and Surreal Street
Words and Shoes: The Young Dostoevsky
2. The 1860s: The New Man in the Street
Chernyshevsky: The Street as Frontier
The Underground Man in the Street
Petersburg vs. Paris: Two Modes of Modernism in the Streets
The Political Prospect
Afterword: The Crystal Palce, Fact, and Symbol
3. The Twentieth Century: The City Rises, the City Fades
1905: More Light, More Shadows
Biely's Petersburg: The Shadow Passport
Mandelstam: The Blessed Word with No Meaning
Conclusion: The Petersburg Prospect
V. In the Forest of Symbols: Some Notes on Modernism in New York
1. Robert Moses: The Expressway World
2. The 1960s: A Shout in the Street
3. The 1970s: Bringing It All Back Home
Notes
Index
and Open Way
Preface
Introduction: Modernity - Yesterday, Today and TomorrowI. Goethe's Faust:
The Tragedy of Development
First Metamorphosis: The Dreamer
Second Metamorphosis: The Lover
Third Metamorphosis: The Developer
Epilogue: The Faustian and Pseudo-Faustian Age
II. All That Is Solid Melts Into Air: Marx, Modernism and Modernization
1. The Melting Vision and Its Dialectic
2. Innovative Self-Destruction
3. Nakedness: The Unaccommodated Man
4. The Metamorphosis of Values
5. The Loss of a Halo
Conclusion: Culture and the Contradictions of Capitalism
III. Baudelaire: Modernism in the Streets
1. Pastoral and Counter-Pastoral Modernism
2. The Heroism of Modern Life
3. The Family of Eyes
4. The Mire of the Macadam
5. The Twentieth Century: The Halo and the Highway
IV. Petersbur: The Modernism of Underdevelopment
1. The Real and Unreal City
"Geometry Has Appeared": The City in the Swamps
Pushkin's "Bronze Horseman": The Clerk and the Tsar
Petersburg Under Nicholas I: Palace vs. Prospect
Gogol: The Real and Surreal Street
Words and Shoes: The Young Dostoevsky
2. The 1860s: The New Man in the Street
Chernyshevsky: The Street as Frontier
The Underground Man in the Street
Petersburg vs. Paris: Two Modes of Modernism in the Streets
The Political Prospect
Afterword: The Crystal Palce, Fact, and Symbol
3. The Twentieth Century: The City Rises, the City Fades
1905: More Light, More Shadows
Biely's Petersburg: The Shadow Passport
Mandelstam: The Blessed Word with No Meaning
Conclusion: The Petersburg Prospect
V. In the Forest of Symbols: Some Notes on Modernism in New York
1. Robert Moses: The Expressway World
2. The 1960s: A Shout in the Street
3. The 1970s: Bringing It All Back Home
Notes
Index
All That Is Solid Melts into AirPreface to the Penguin Edition: The Broad
and Open Way
Preface
Introduction: Modernity - Yesterday, Today and TomorrowI. Goethe's Faust:
The Tragedy of Development
First Metamorphosis: The Dreamer
Second Metamorphosis: The Lover
Third Metamorphosis: The Developer
Epilogue: The Faustian and Pseudo-Faustian Age
II. All That Is Solid Melts Into Air: Marx, Modernism and Modernization
1. The Melting Vision and Its Dialectic
2. Innovative Self-Destruction
3. Nakedness: The Unaccommodated Man
4. The Metamorphosis of Values
5. The Loss of a Halo
Conclusion: Culture and the Contradictions of Capitalism
III. Baudelaire: Modernism in the Streets
1. Pastoral and Counter-Pastoral Modernism
2. The Heroism of Modern Life
3. The Family of Eyes
4. The Mire of the Macadam
5. The Twentieth Century: The Halo and the Highway
IV. Petersbur: The Modernism of Underdevelopment
1. The Real and Unreal City
"Geometry Has Appeared": The City in the Swamps
Pushkin's "Bronze Horseman": The Clerk and the Tsar
Petersburg Under Nicholas I: Palace vs. Prospect
Gogol: The Real and Surreal Street
Words and Shoes: The Young Dostoevsky
2. The 1860s: The New Man in the Street
Chernyshevsky: The Street as Frontier
The Underground Man in the Street
Petersburg vs. Paris: Two Modes of Modernism in the Streets
The Political Prospect
Afterword: The Crystal Palce, Fact, and Symbol
3. The Twentieth Century: The City Rises, the City Fades
1905: More Light, More Shadows
Biely's Petersburg: The Shadow Passport
Mandelstam: The Blessed Word with No Meaning
Conclusion: The Petersburg Prospect
V. In the Forest of Symbols: Some Notes on Modernism in New York
1. Robert Moses: The Expressway World
2. The 1960s: A Shout in the Street
3. The 1970s: Bringing It All Back Home
Notes
Index
and Open Way
Preface
Introduction: Modernity - Yesterday, Today and TomorrowI. Goethe's Faust:
The Tragedy of Development
First Metamorphosis: The Dreamer
Second Metamorphosis: The Lover
Third Metamorphosis: The Developer
Epilogue: The Faustian and Pseudo-Faustian Age
II. All That Is Solid Melts Into Air: Marx, Modernism and Modernization
1. The Melting Vision and Its Dialectic
2. Innovative Self-Destruction
3. Nakedness: The Unaccommodated Man
4. The Metamorphosis of Values
5. The Loss of a Halo
Conclusion: Culture and the Contradictions of Capitalism
III. Baudelaire: Modernism in the Streets
1. Pastoral and Counter-Pastoral Modernism
2. The Heroism of Modern Life
3. The Family of Eyes
4. The Mire of the Macadam
5. The Twentieth Century: The Halo and the Highway
IV. Petersbur: The Modernism of Underdevelopment
1. The Real and Unreal City
"Geometry Has Appeared": The City in the Swamps
Pushkin's "Bronze Horseman": The Clerk and the Tsar
Petersburg Under Nicholas I: Palace vs. Prospect
Gogol: The Real and Surreal Street
Words and Shoes: The Young Dostoevsky
2. The 1860s: The New Man in the Street
Chernyshevsky: The Street as Frontier
The Underground Man in the Street
Petersburg vs. Paris: Two Modes of Modernism in the Streets
The Political Prospect
Afterword: The Crystal Palce, Fact, and Symbol
3. The Twentieth Century: The City Rises, the City Fades
1905: More Light, More Shadows
Biely's Petersburg: The Shadow Passport
Mandelstam: The Blessed Word with No Meaning
Conclusion: The Petersburg Prospect
V. In the Forest of Symbols: Some Notes on Modernism in New York
1. Robert Moses: The Expressway World
2. The 1960s: A Shout in the Street
3. The 1970s: Bringing It All Back Home
Notes
Index