Try Not to Get Too Attached
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Using line drawings, colour and text, Robin Richardson transposes the sensibility of poetry into illustrated works, creating bite-sized, artistic meditations on the terribly wonderful, malleable and absurd experience of being alive. Richardson's intuitive works--inspired by medieval illuminated manuscripts--are drawn from fleeting, conscious contact with various notions and emotions; they feel their way around meaning and what it is to be human. It's here, amongst animal imagery and Jungian psychological concepts, that the viewer can, if not careful, become lost in a collection of unsettling y...
Using line drawings, colour and text, Robin Richardson transposes the sensibility of poetry into illustrated works, creating bite-sized, artistic meditations on the terribly wonderful, malleable and absurd experience of being alive. Richardson's intuitive works--inspired by medieval illuminated manuscripts--are drawn from fleeting, conscious contact with various notions and emotions; they feel their way around meaning and what it is to be human. It's here, amongst animal imagery and Jungian psychological concepts, that the viewer can, if not careful, become lost in a collection of unsettling yet playful art: themes of loss, fear and euphoria are materially manifested through felt pen and pencil crayon. Within these works of art are scraps of consciousness, demons brought into the light of day and shared as if to say, clearly: you are not alone.
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