In this book, author Ryan Dohoney tells the story of the 1972 premier of Morton Feldman's music for the Rothko Chapel in Houston, reconstructing the network of artists and patrons who contributed to the premier, and documenting the ways that they questioned the emotional translation of art into religious stimulation.
In this book, author Ryan Dohoney tells the story of the 1972 premier of Morton Feldman's music for the Rothko Chapel in Houston, reconstructing the network of artists and patrons who contributed to the premier, and documenting the ways that they questioned the emotional translation of art into religious stimulation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Ryan Dohoney is a musicologist and historian who writes on U.S. and European Modernism in the 20th and 21st centuries. He is Assistant Professor of Musicology in the Bienen School of Music at Northwestern University where he is also a core faculty member in the Program in Critical Theory. He holds degrees from Rice University (B.Mus.) and Columbia University (PhD).
Inhaltsangabe
List of Illustrations List of Musical Examples Acknowledgments Abbreviations Introduction Chapter 1: Pursuing Anxiety Chapter 2: The de Menils's Reality Chapter 3: Shaken into Seeing and Hearing Chapter 4: Abstract Ecumenism Epilogue Bibliography
List of Illustrations List of Musical Examples Acknowledgments Abbreviations Introduction Chapter 1: Pursuing Anxiety Chapter 2: The de Menils's Reality Chapter 3: Shaken into Seeing and Hearing Chapter 4: Abstract Ecumenism Epilogue Bibliography
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